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Toen hier nog nauwelijks drie miljoen mensen woonden
Throughout
aantal keurig ingeplakte afbeeldingen van Geer van Velde
postsecular world
he and his brothers visited America
Bluebeard's Chamber / Guilt and Confession in Thomas Mann Leliestreek Toen hier nog nauwelijks drieThe themes of guilt and redemption that grew ever stronger in Thomas Mann's fiction are generally ascribed to the author's homosexuality, this, many critics have said, is the basis of the dynamic underlying his creative work in general, and the reason for Mann's panic in 1933 that his early diaries would fall into the hands of the Nazis. Michael Marr convincingly explodes this consensus. Mann was remarkably open about his sexual orientation, which he
